While we are still not over the exhilarating events of this year’s season finale, we think it’s about time to take a step back and assess the season as a whole. There were a lot of ups and downs, no doubt about that, but this post will focus on the ups. Here are our five favourite episodes from season 4 of Castle, in order of appearance. Enjoy!
Things happened. Big things. Things that are meaningful and irrevocable and wonderful. So let’s jump right in as I try, like so many fans out there, to make sense of my Castle/Beckett feelings.
We begin with Beckett clinging to the edge of a building, calling out for Castle as she loses her grip. Just as all hope seems lost, we cut to three days earlier. Oh, season finales. After discovering what appears to be a gang-related murder in an alley, Beckett, Castle, and the boys soon discover a link to Montgomery’s home and the files he was trying to keep hidden. Drama, stolen glances, and intensity ensue, highlighting how much Castle, Ryan, and Esposito love Beckett in their own ways. Each of them will do pretty much anything to support Beckett and keep her safe, and we see this play out throughout the episode. Of course, Castle is keeping a secret about the files and the case, and we all know that it’s only a matter of time until it comes out.
We’re heading in the right direction, people. I mean, sure, we’re celebrating the fact that Castle and Beckett are even talking to each other at all, let alone talking about their feelings, but after the last few episodes we’ll take what we can get. It’s no secret that I was getting a little sick of the constant evading, concealing, and inability to communicate, and I was thoroughly fed up with Castle when he said this would be his last case working with Detective Beckett. I knew it wasn’t going to prove true, but somehow that made it even more annoying. Enough already!
Now that I’ve gotten that off my chest, I can comment on the actual episode. I felt that “Undead Again” was all about one person knowing better than another and pulling the wool over their eyes. This plays out in the zombie storyline, but also more significantly in Castle and Beckett’s relationship. In terms of the zombies, we (or the characters) are fooled into believing that they might actually be the walking undead. When that theory is debunked, we see the case of one “zombie” being manipulated into committing a crime against his will and without his knowledge. See: pulling the wool over his eyes. As for Castle and Beckett, they simply can’t keep up their charade any longer, and there are many layers of the charade: first and foremost is the fact that they’re in love with each other and not acting on it, second is Beckett hiding from Castle that she heard him say he loved her last year, third is Castle hiding his knowledge that she heard him, and fourth is Castle hiding info about Johanna Beckett’s murder and Kate’s shooting (which will most certainly come up in the finale next week).
As was to be expected, nothing in the way of relationship advancement happened in “The Limey”. However, I actually liked this episode better than last week’s for a few reasons, not the least of which is that we got some real character development on the part of Kate Beckett. While “47 Seconds” followed Castle closely through his childish reaction to finding out Kate’s secret, this week we go home with Beckett, seeing things from her point of view and gaining insight into the character. I wasn’t happy with the lack of discussion between Castle and Beckett (no surprise there), but watching Beckett grapple with her feelings is far more interesting than Castle pouting about her betrayal.
Lanie was really the best part of this episode in my opinion. She tells it like it is, and always has. She’s been aware of the attraction between Castle and Beckett from day one, and has never been shy about encouraging her friend to go for it with “writer boy”. In “The Limey”, we not only see her supporting Kate, but also confronting her about her feelings for Castle. And when she does, it doesn’t take long for Beckett to admit to those feelings. In the course of the initial conversation in Kate’s apartment, this moment happens almost casually, but it’s actually a huge deal for Beckett! She has been denying her feelings and declaring she isn’t ready for ages, so the fact that she owns up to being crazy about Castle is a really big step for her.
We were all looking forward to “47 Seconds”. It was to be the episode in which something finally happens between Castle and Beckett. And while I suppose something did happen, it’s certainly not anything I am pleased or impressed with. I’m waiting until the end of the season for the writers of Castle to convince me that the events of this episode were justified, because right now they seem like yet another contrived device to keep the two main characters apart.
Allow me to clarify. I’m not talking about Beckett’s secret coming out, because (a) that was bound to happen and (b) it is kind of a big deal. Beckett heard Castle say “I love you” after she was shot in last season’s finale, and neglecting to mention it to him for almost a year is on the list of things you probably shouldn’t do to the man you’re clearly in love with. Thus the main drama of the episode is established, with a bombing setting the stage for Castle and Beckett to ponder how precious and uncertain their time is. It seems like the perfect opportunity for the couple to finally act on their feelings, make out, make babies, do all those things Stana Katic keeps advising for the characters.
It was nice to have Castle back after a three-week hiatus, especially because this season seems to be flying by. While I could have done with a slightly more engaging plot, I will let that slide given the big things that seem to be in store for our favourite crime-fighting pair in the episodes to come this season. “A Dance with Death” was light and not particularly memorable, but had some small moments and side storylines that definitely deserve a mention. And so. To begin.
For the most part, I was digging Beckett’s brightly-coloured wardrobe this episode. She’s definitely much more casual this season (and has been following an ever-increasing casual trajectory throughout the show) but we don’t often see her in those popping colours. From bright orange to electric blue to berry pink, this says a lot about what she as a character is comfortable with. Often when Beckett feels unsafe, threatened, or vulnerable, the dark colours and turtlenecks come out in great abundance. Here her wardrobe tells us that she is totally comfortable with herself, her job, her relationship with her co-workers, and her relationship with Castle. This might be lulling both Kate and the viewer into a false sense of security since I have a feeling one or both of the big secrets being kept by Castle and Beckett are going to come out before the end of season 4. But for now, hooray for colour!
Like last week, this review is mostly going to focus on characters and relationships because to be honest I wasn’t particularly interested in the whole double-agent, CIA, massive conspiracy, WWIII plot line. Of course, that’s kind of the norm for me when I watch Castle; I’m much more invested in Rick and Kate’s romance than in any of the cases that they solve. There were definitely some moments I liked in this week’s conclusion to the two-parter, but on the whole I don’t think either “Pandora” or “Linchpin” will break any records for favourite Castle episode.
My main criticism (I’ll get it out of the way now, and then move on to the fun stuff) is that the episode itself was, well, a little bit boring. As far as Castle’s two-part cliff-hangers go, I didn’t like this year’s installment nearly as much as the ones that preceded it. The stakes just didn’t seem as high (or I wasn’t made to feel they were as high), and I know that’s really weird to say given that World War Three was the potential outcome of this episode. I guess what I mean is that a stronger impression is made when the characters’ lives are more directly involved in the case…like the crazy guy murdering people in the name of Nikki Heat, stalking Beckett, and blowing up her apartment in season 2. Even last year’s two-parter felt more personal (though on a much larger scale), perhaps because Castle and Beckett were locked together in a freezer and then faced with a dirty bomb about to blow up in their faces. But mainly I think those episodes worked really well because it was all up to Castle and Beckett to solve the case and save everyone. Here, there were too many double-agents and shifting allegiances to keep track of; Castle and Beckett could barely do anything but observe and get carried along by the CIA. If they have absolutely no clue what’s going on (which they didn’t until the very end of “Linchpin”), then neither do we, and I think that’s what diluted the episode’s overall impact.
Stana Katic, talking about the end of this week’s episode “Pandora”, joked that the creators of Castle are forcing Rick and Kate to face each of the elements to see if they survive. So far we’ve had fire (in 2×17/2×18 when Kate’s apartment blows up), ice (3×16/3×17 when they get locked in a freezer) and now water as their car plunges down toward Davy Jones’s Locker at the end of 4×15. And of course, in true cliff-hanger form, that’s how the episode ends. I can only imagine that next season’s two-parter will involve them being buried underground but narrowly escaping (as they always do).
Actually, in a lot of ways “Pandora” reminded me of the previous Castle two-parters, and not just because it concluded with the same nerve-wracking “to be continued” ending. Plot-wise, I sort of saw it as a combination of the double episodes of season 2 and season 3 as well. There’s definitely a Jordan Shaw-esque quality to Sophia Turner, the bedroom-voiced CIA agent who has a history with Castle. Beckett’s jealousy over Castle bonding with Jordan and being impressed with her cool gadgets in “Tick Tick Tick” and “Boom” is definitely reflected again here: she’s just oozing with jealousy! And the broader themes of terrorism and national security in “Pandora” bring to mind last year’s two-parter in which a dirty bomb threatens the city of New York. However I also found that I wasn’t quite as invested in the plotline as I was during either of those two stories.
I liked this episode well enough, but I wasn’t crazy about it. Knowing that it was going to be the “Ryan’s wedding episode” I was really hoping for, um, more of the actual wedding…is that weird? Much as I enjoyed the final scene (which I’ll get into later) I felt it was a case of too little too late in terms of the plot and pacing of the episode.
Castle and Beckett’s case begins when they find a dead naked dude covered with some fruit. As they dig further into this guy’s life – full of secret identities, espionage, and picking up women – in addition to watching Ryan prepare for his upcoming wedding with Jenny, their conversations inevitably turn to sex, commitment, honesty, and marriage. While most of these exchanges are light-hearted and teasing, they do reveal how much Castle and Beckett are scoping each other out for that day when they WILL tie the knot for real. Sometimes they seem perfectly oblivious to the romantic undertones (or overtones – they weren’t that subtle) of their own words.
J wrote a lovely analysis of “Cuffed” that covers pretty much everything. Check it out. Because we often share a wavelength when it comes to Castle she mostly tells it like I see it. Instead of retreading, I’m mostly going to cover the crazy games of Castle and Beckett. Read on!
At first glance, “Cuffed” is a massive wink and nudge to the Castle/Beckett shippers of the show. There was a huge step forward in the flirtation for the pair, moving from mostly verbal innuendo and teasing to full contact physical comedy. More than that, this is a huge step forward in their relationship. Since Castle and Beckett revealed their mutual feelings for one another these charged exchanges take on new meanings, the flirting and teasing possess an acknowledged truth barely disguised by jokes.
It’s frustrating, for both the shippers and for Castle and Beckett, the excuses for staying apart seem to be wearing thin. The more aggressive style of their flirting, suggestions of spending the night, and their lives together are true, and at this point Beckett is barely putting any effort into holding up those wall of hers. The flirting displayed in “Cuffed” reads as truth, seemingly the couple is reevaluating the whole “waiting until we’re all sorted out” idea by pushing the boundaries of what is acceptable in their current “not a couple” arrangement. Don’t they know that no one is ever free of their issues, they may as well face them together, but real together. Give me the text without the sub, you know you want to. Continue reading